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主页-->tfm-000-->tfm-1969

Same EN
tfm-1969莫里康内配乐电影及其音乐概览(2016增补版)
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tfm-1969 basic view of films and music composed by Ennio Morricone (2016 supplement edition)
莫里康内爱好者手册
"Ennio Morricone Fans Handbook" 2013 English edition
本页目录
TB6901 Zenabel (Ruggero Deodato) / 直译 珍妮贝尔
TB6902 Giovanni ed Elviruccia (TV Series-Paolo Panelli) / 直译 乔万尼和伊露西亚
TB6903 Amore e rabbia (Marco Bellocchio, Pier Paolo Pasolini, Elda Tattoli, Carlo Lizzani, Jean-Luc Godard, Bernardo Bertolucci) / 福音书 / 爱与怒
TB6904R La Femme écarlate ( Jean Valère) / 无名女郎
 
 
TB6901 Zenabel (Ruggero Deodato) / 直译 珍妮贝尔
Stars Lucretia Love
John Ireland
Lionel Stander
Country Italy | France
Runtime 99 min
Date 12 December 1969 (Italy)
Also Known As:
France Zenabel
West Germany Die Jungfrau mit der scharfen Klinge
West Germany Grafin der Lust
01, 02, 03, 04, 05 中文 01, 02
Zenabel, a young woman from a humble background, discovers that she is actually the daughter of a Spanish nobleman who was killed by a ruthless don, Alonso, who took the title. So Zenable assembles a group of misfit friends to reclaim her title. (IMDB)
On her father's deathbed, Zenabel learns that she is of nobler birth and that she was adopted as a kid for her own protection during a coup. Being aware of her new ancestry, she decides to reclaim the throne. Standing by her side are several virgins she saved from the Baron's desirous minions and the bandit Gennaro is on her side as well. But can this unorthodox group defeat the wicked Baron? Zenabel is quite an entertaining sword-fighting movie by Ruggero "Cannibal Holocaust" Deodato. With a femine touch (more liberty for women blah blah) and yet very revealing when it comes to the female body. The Greek VHS contains two longer scene but it also lacks a rather long love scenes. Furthermore, the VHS has been zoomed in to Fullscreen. The (not re-shot) scenes from the German DVD are also missing on the VHS. (Here)
Loosely based on the Italian comic book character Isabella - the first of the long series of erotic comic books that were published in Italy during the late Sixties - this is a so-so adventure-comedy, full of naked women, showing mostly their breasts, and full of clownish fight scenes, bad jokes and bad music. Zenabel discovers that she is the heiress of a duke killed by the evil Don Alonso and so she forms an army of women - a mix between Brancaleone's army and the women from Aristoteles comedy Lisistrata - to claim back her title. She will get what she wants, gaining also the love of a brigand in the meantime. Almost potable, for what is worth, and a good rendition of the original comic book on which it is based. (Here)
In the Middle Ages, an all-woman gang and an all-male band join forces to rid the country of a tyrannical baron.A band of women tries to overthrow a tyrannical baron. (Here)
综合简译:电影故事基于60年代意大利的连环漫画人物伊莎贝拉。在中世纪时代,主人公珍妮贝尔原来被认为是一个出身卑微的年轻女子,在他的父亲临终以前,她才知道自己原来出身于西班牙名门贵族。他的生父是一位公爵,在一次政变中被阿隆索杀害。为了讨回她的头衔和应有的地位,她要组织一支女性军队去打败邪恶专制的男爵。电影场景有很多暴露和滑稽的打斗场面,部分网站将其列为成人电影。
About Music
Bruno Nicolai (Italy 1926-1991)
布鲁诺 尼克莱
Ennio Morricone
Ennio Morricone (Italy)
埃尼奥 莫里康内
Bruno Nicolai (20 May 1926 in Rome – 16 August 1991 in Rome) was an Italian film music composer, orchestra director and musical editor most active in the 1960s through the 1980s. While studying piano and composition at the Santa Cecilia Conservatory in Rome, he befriended Ennio Morricone and formed a long working relationship, with Nicolai eventually conducting for and co-scoring films with Morricone. Nicolai also scored a number of giallo exploitation films and wrote a large number of scores for director Jess Franco. His work was featured in the Quentin Tarantino film Kill Bill: Volume 2.(WIKI)
Ennio Morricone: was born 10 November 1928) is an Italian composer, orchestrator, conductor, and former trumpet player. A classmate of director Sergio Leone with whom he would form one of the great director/composer partnerships (right up there with Eisenstein & Prokofiev, Hitchcock & Herrmann, Fellini & Rota), Ennio Morricone studied at Rome's Santa Cecilia Conservatory, where he specialized in trumpet. His first film scores were relatively undistinguished, but he was hired by Leone for Per un pugno di dollari (1964) on the strength of some of his song arrangements. His score for that film, with its sparse arrangements, unorthodox instrumentation (bells, electric guitars, harmonicas, the distinctive twang of the jew's harp) and memorable tunes, revolutionized the way music would be used in Westerns,......(IMDB, WIKI)
Composer Bruno Nicolai; Conductor Ennio Morricone (ChiMai) ;
Music by Ennio Morricone ... music director; Bruno Nicolai (IMDB)
Composer(s): Bruno Nicolai ; Ennio Morricone (conductor) (Soundrack)
Composer by (Musiche De)- Bruno Nicolai ; Conductor (Diretta Da)Ennio Morricone (Discogs)
Mudiche Bruno Nicolai ; Ennio Morricone (WIKI)
Contradictory information floating around about Morricone's [minor] involvement with this score. (CHIMAI Bob Hendrikx Notes on ZENABEL )
电影字幕显示作曲家为Bruno Nicolai (02' 04"),音乐总监(德文 Produktionsleitung)为Ennio Morricone (02'23")
音乐概要:这部电影关于作曲家的信息比较特殊,尽管多数主要网站(见上面各截图)均把Bruno Nicolai Ennio Morricone 共同列为作曲家,但都同时注明莫里康内的角色是指挥(英文conducter 或意文 diretti. 在上面电影字幕中显示为 Produktionsleitung-音乐总监) 。在几张CD专辑的封套上也多是同时显示出尼克莱和莫里康内两个人的名字。 但是在其它很多莫里康内仅仅担任指挥(或音乐总监)角色的电影中,在作曲家的位置里并未将他列入。显然,其中应有某些特定的原因,但尚未见公开的资料。在CHIMAI网站,虽然显示作曲家只有尼克莱一个人,莫里康内仅仅是指挥,但它却一改过去的习惯,将这部电影的全部31首原声音乐,也在该电影的MusicAlbum 页面中列为是和莫里康内有关联的作品 (见下面截图),这在该站许多莫里康内仅仅担任指挥的电影里还是首见。从该站的传统形式来看, 除去莫里康内直接谱曲的电影外,仅有涉及莫里康内改编(Arrange),配器(orchestrator),重新使用(Reused),库存的或者预先存在的 (library or pre-existing) 的音乐等才会在该电影的音乐项中出现有关莫里康内的音乐作品,对于莫里康内仅仅担任指挥(或音乐总监)的电影,是不会出现和莫里康内有关的音乐作品的。不过在它的附加说明中也有以下的说明:“Contradictory information floating around about Morricone's [minor] involvement with this score”(围绕莫里康内《次要的》涉足这部电影谱曲的信息是互相矛盾的)。因此对于这部电影作曲家的归属问题仍需进一步研究
Above: Related info in CHIMAI 01, 02, 03
Related Albums (Part)
Zenabel (Music by Bruno Nicolai; Director by Ennio Morricone) 16 music
Zenabel (Music by Bruno Nicolai; Director by Ennio Morricone) 31 music
Zenabel
OST of Zenabel (Only for Ennio Morricone)
Composer Bruno Nicolai; Conductor Ennio Morricone
1.C'Era Una Volta (04:35)
11.Can Can Dei Piccioni (04:22) 21.I Vagabondi (01:36)
2.Marcetta Dei Cafoni (02:09)
12.Marcia Di Zenabel (01:03) 22.C'Era Una Volta (02:35)
3.Burrasca (02:55)
13.Spruzzi (00:51) 23.La Rivolta (01:24)
4.Gamba Gamba (02:05)
14.All'Attacco (02:11) 24.C'Era Una Volta (03:19)
5.Verso La Meta (01:31)
15.Il Filtro E La Strega (01:24) 25.Gamba Gamba (English version) (02:14)
6.Giullare (01:06)
16.C'Era Una Volta (01:29) 26.Verso La Meta (01:26)
7.La Rivolta (02:51)
17.La-Lu-Le (English version) (03:05) 27.Ola Moira (03:44)
8.La-Lu-Le (03:07)
18.Marcia Di Zenabel (00:47) 28.Trama Sul Barone (02:10)
9.I Vagabondi (01:19)
19.Gamba Gamba (00:48) 29.La Cospirazione Di Zenabel (01:18)
10.Sdegni Amorosi (02:08)
20.Burrasca (01:13) 30.Gennaro E Le Donne (01:34)
 
    31.Verso Le Guardie (01:18)
Zenabel / 珍妮贝尔剪辑 本站编辑上传56网 04'58")
YouTube full film 01, 02, 03
 
TB6902 Giovanni ed Elviruccia (TV Series-Paolo Panelli) / 直译 乔万尼和伊露西亚
Stars Paolo Panelli
Bice Valori
Giuseppe Bergantini
Country Italy
Runtime 3h 20min TV Mini-Series (1970– )
Date 9 January 1970 (Italy)
Also Known As:
 
 
01, 02, 03, 04, 05 中文 01, 02,
Paolo Panelli e Bice Valori su Rai.tv: Lunedì 8 novembre, Rai.tv. A 41 anni di distanza torna su Bianco e Nero in esclusiva per il web Giovanni e Elviruccia, la storica fiction (1969) con la regia di Paolo Panelli, la sceneggiatura di Suso Cecchi D’Amico e musiche originali di Ennio Morricone. La prima puntata è quella dell’incontro, in cui Giovanni (Paolo Panelli) conosce Elvira (Bice Valori): da quel momento i loro destini si incroceranno dando vita ad una delle più brillanti commedie che riflette la comicità italiana degli anni Sessanta. Tra le chicche della prima puntata, prima dell’inizio della fiction, una esilarante parodia dell’autore cinematografico impegnato nel mènage domestico e nella trasmissione televisiva della sua opera prima. Paolo Panelli e Bice Valori, una delle coppie più affiatate e brillanti dello spettacolo italiano in un’opera fuori dal tempo e vera chicca dell’archivio Rai. Solo sul canale Bianco e Nero, la web tv dedicata alla grande tv del passato, e su Rai.tv. archivio e risorsa ricca di contenuti ancora attuali come questa serie originale e geniale. (Rai)

Rai.Tv rispolvera la fiction d’antan: on line una serie con Bice Valori e Paolo Panelli

su rai Sabato 19/01/2008 da Giorgia Iovane in Fiction italiane, Rai, Serie Tv, Web Ultimo aggiornamento: Venerdì 18/01/2008 21:29

Rai.tv, il canale multimediale della Tv di Stato, scava nel suo passato e ripropone al giovane pubblico del web una serie davvero storica, Giovanni e Elviruccia, fiction del 1969 con Paolo Panelli e Bice Valori, una delle coppie più affiatate e brillanti dello spettacolo italiano. In alto uno sketch di Paolo Panelli tratto da Teatro 10. Sposatisi nel 1952, il sodalizio amoroso e professionale di Bice Valori e Paolo Panelli ha attraversato la storia del teatro, del cinema e della tv italiana: dalle commedie musicali ai memorabili sketch tv, la loro mimica e i dialoghi serrati hanno accompagnato generazioni di italiani dagli anni ’50 fino alla fine degli anni ’70.
Ora la Rai ripropone in esclusiva web, su Rai.tv, una loro serie nella quale interpretano una coppia, quella di Giovanni ed Elviruccia appunto, impegnata nel condurre, tra una battuta e l’altra, il proprio mènage familiare. La prima puntata, on line da ieri, ruota intorno al primo incontro tra Giovanni, organizzatore di spettacoli cinematografici, ed Elviruccia: un incontro tragicomico che avviene durante una proiezione all’aperto funestata dal maltempo e che segnerà le loro vite. La serie fu diretta dallo stesso Panelli, mentre soggetto e sceneggiatura portano la firma di Suso Cecchi D’Amico. Addirittura un futuro premio Oscar realizzò le musiche, ovvero Ennio Morricone. Prepariamoci a godere questo frammento di tv d’antan, fatta di idee a volte molto semplici ma sempre ben realizzate. Nel frattempo, un altro video con uno degli sketch più famosi con la Valori protagonista, nel ruolo della centralinista della Rai Tv. (Here)

Giovanni, un organisateur de spectacle cinématographique en tournée pour la Maremma. Au cours d'une projection tragi-comique dans un endro (Here)

Giovanni è un organizzatore di spettacoli cinematografici itinerantu in giro per la Maremma. Nel corso di un tragicomica proiezione all'aperto funestata dalla pioggia conosce Elviruccia e da quel momento i loro destini si incrociano. (Here )

综合简译:这是一部意大利RAI电视台于1970年播出的4集电视连续剧。在50年代,乔万尼是一个巡回电影放映活动的组织者。一次在玛雷玛户外放映一部悲喜剧电影时,突然遭遇到一场暴风雨的袭击。在那里他认识了伊露西亚。从那时起,他们的命运开始交叉在一起,他们的现实生活就像那部悲喜剧一样记录了上世纪50年代到70年代意大利的戏剧,电影和意大利电视台的变革和发展历史,展现了一幅从音乐剧时代到电视机时代的难忘素描。
About Music
Ennio Morricone
Ennio Morricone (Italy)
埃尼奥 莫里康内
Ennio Morricone: was born 10 November 1928) is an Italian composer, orchestrator, conductor, and former trumpet player. A classmate of director Sergio Leone with whom he would form one of the great director/composer partnerships (right up there with Eisenstein & Prokofiev, Hitchcock & Herrmann, Fellini & Rota), Ennio Morricone studied at Rome's Santa Cecilia Conservatory, where he specialized in trumpet. His first film scores were relatively undistinguished, but he was hired by Leone for Per un pugno di dollari (1964) on the strength of some of his song arrangements. His score for that film, with its sparse arrangements, unorthodox instrumentation (bells, electric guitars, harmonicas, the distinctive twang of the jew's harp) and memorable tunes, revolutionized the way music would be used in Westerns,......(IMDB, WIKI)
 
Composer: Ennio Morricone (CHIMAI); Series Music by Ennio Morricone (IMDB)
音乐概要:这组TV的作曲家均显示为莫里康内。
Above: Related info in CHIMAI 01, 02, 03
Related Albums (Part)
I giorni tuoi, le notti mie (1-1)
Ennio Morricone The Bossa Nova & Samba Soundtracks (1-22)
Ennio Morricone Rare & Unreleased Soundtracks from the 60s & 70s (1-1-14)
OST of Giovanni ed Elviruccia (Only for Ennio Morricone)
No.
Name (Length)
Chinese Name
Audition
Note
001
Giovanni ed Elviruccia: I Giorni Tuoi, le Notti Mie No. 1 (Titoli) (02:10)
乔万尼和伊露西亚你的白天,我的夜晚-1 (片头)
所有音乐均来自专辑 Ennio Morricone Rare & Unreleased Soundtracks from the 60s & 70s
002
Giovanni ed Elviruccia: I Giorni Tuoi, le Notti Mie No. 2 (01:42)
乔万尼和伊露西亚你的白天,我的夜晚-2
003
Giovanni ed Elviruccia: Giovanni ed Elviruccia No. 1 (02:33)
乔万尼和伊露西亚乔万尼和伊露西亚-1
004
Giovanni ed Elviruccia: I Giorni Tuoi, le Notti Mie No. 3 (02:15)
乔万尼和伊露西亚你的白天,我的夜晚-3
005
Giovanni ed Elviruccia: I Giorni Tuoi, le Notti Mie No. 4 (01:47)
乔万尼和伊露西亚你的白天,我的夜晚-4
006
Giovanni ed Elviruccia: I Giorni Tuoi, le Notti Mie No. 5 (02:06)
乔万尼和伊露西亚你的白天,我的夜晚-5
007
Giovanni ed Elviruccia: I Giorni Tuoi, le Notti Mie No. 6 (01:36)
乔万尼和伊露西亚你的白天,我的夜晚-6
008
Giovanni ed Elviruccia: I Giorni Tuoi, le Notti Mie No. 7 (02:52)
乔万尼和伊露西亚你的白天,我的夜晚-7
009
Giovanni ed Elviruccia: I Giorni Tuoi, le Notti Mie No. 8 (00:50)
乔万尼和伊露西亚你的白天,我的夜晚-8
010
Giovanni ed Elviruccia: Giovanni ed Elviruccia No. 2 (01:16)
乔万尼和伊露西亚乔万尼和伊露西亚-2
011
Giovanni ed Elviruccia: I Giorni Tuoi, le Notti Mie No. 9 (02:10)
乔万尼和伊露西亚你的白天,我的夜晚-9
012
Giovanni ed Elviruccia: I Giorni Tuoi, le Notti Mie No. 10 (00:54)
乔万尼和伊露西亚你的白天,我的夜晚-10
013
Giovanni ed Elviruccia: I Giorni Tuoi, le Notti Mie No. 11 (02:55)
乔万尼和伊露西亚你的白天,我的夜晚-11
014
Giovanni ed Elviruccia: I Giorni Tuoi, le Notti Mie No. 12 (Vocal) (03:39)
乔万尼和伊露西亚你的白天,我的夜晚-12 (人声)
意大利 RAI 网站在线播放系列电视剧“乔万尼和伊露西亚” (共4集)
4-1 Il primo incontro del protagonista Giovanni (Paolo Panelli) con Elviruccia (Bice Valori). La puntata ha un originale incipit con Valori e Panelli nella vita reale in attesa della prima della serie appena realizzata. (Here) 4-2 Il rapporto di odio-amore tra il diffidente Giovanni e la vitale Elviruccia continua tra fraintendimenti e slanci. Paolo Panelli e Bice Valori nella loro unica serie televisiva (Here) 4-3 Il primo incontro del protagonista Giovanni (Paolo Panelli) con Elviruccia (Bice Valori). La puntata ha un originale incipit con Valori e Panelli nella vita reale in attesa della prima della serie appena realizzata (Here) 4-4 L'ultima puntata della storia di "Giovanni e Elviruccia". Paolo Panelli e Bice Valori nella loro unica serie televisiva con la regia dello stesso Panelli (Here)
 
TB6903 Amore e rabbia / Love and Anger (Marco Bellocchio, Pier Paolo Pasolini, Elda Tattoli, Carlo Lizzani, Jean-Luc Godard, Bernardo Bertolucci) / 福音书 / 爱与怒
Stars Tom Baker
Julian Beck
Jim Anderson
Country Italy | France
Runtime 102 min
Date 29 May 1969 (Italy)
Also Known As:
Bulgaria (Bulgarian title) Любов и гняв
Spain Amor y rabia
France La contestation
France évangile 70
Hungary Szerelem és düh
Italy (alternative title) Vangelo '70
Poland Milosc i gniew
Poland (alternative title) Milosc i wscieklosc
Portugal Amor e Raiva
Turkey (Turkish title) Dünyanin en eski meslegi
West Germany Liebe und Zorn
World-wide (English title) Love and Anger
Five short stories with contemporary settings. In New York, people are indifferent to derelicts sleeping on sidewalks, to a woman's assault in front of an apartment building, and to a couple injured in a car crash. A man, stripped of his identity, dies in bed with actors expressing his agony. A cheerful, innocent young man walking a city street in a time of war pays a price for this innocence. A couple talks about cinema while it watches another couple talk of love and truth on the eve of one character's return to Cuba. Striking students take over a university classroom; an argument follows about revolution or incremental change. (IMDB)
01, 02, 03, 04 中文 01

(User Reviews in IMDB) interesting and spotty set of films...for art cinema fans only.

spotty collection of shorts by 5 directors. some are intriguing, others are just plain tedious. let's go through them in order.

the first short is a merging of two stories about women being violated. they're two different narratives that are combined to tell the story of a woman in danger and then being saved. the first one starts off with a man chasing a woman through the city with lots of shots of indifferent people in their appartments doing their everyday thing. there are several shots of appartment buildings that gives a sense that this women is utterly helpless, she is lost in a world of concrete buildings that don't give any heed to her cries for help. cut to a different story about a guy trying to rescue a woman from a car accident, which seems like it was from another american tv show.

the second one is one by bertolocchi (spelling?) and is the most tedious of them all. weird artsy dancing, montage poses and strange noises emitting from these dancers. at first you think this place is a weird therapy session cuz the dancers look like they were pulled off hte street and they sit in a circle chanting something. then they do these weird moves with lots of moaning and groaning and incoherent mutterings. i think the segment of this session is called agony, so i guess these people are doing artsy interpretations of agony. then an old man comes a long, who's dying and all these people start dancing around him. this one runs on for about 20 minutes...20 minutes i'll never get back.

the third one is one about a man running through the streets. various shots of streets with various political images superimposed on top. i don't know what a lot of these images are, but i deduct they're about the vietnam war and other various political wars around the world. then occasionally, this man has a huge flower in his hands and he starts to dance in the streets to this happy dated italien pop music. it's these scenes that put a smile on my face cuz it's just so rediculous and fun to watch.

the 4th short film is by Jean luc godard. i've seen many godard films and this is a very typical godard film. you've got a couple...the girl is jewish and the guy is arabic. he kisses her, carass her naked body and talks in a way only godard characters do...a mixture of musings on love and politics. intercut with another couple who talk about the film that they're in. saying things like...."what's that over there?" "why, i think it's the opening of a film..." "i think they're gonna break up..." "if they break up, the film will be over..." etc. i have a general understanding of what godard's references and what he is talking about, so it doesn't feel as tedious to me as it would to others. but still......those who don't have a bit of academic background in film...you'd most likely like to keep away from this.

the last film is one about a debate going on in a university as a group of marxist students interupt a class to debate about marxist ideology and general anarchy against the university system. these students want a marxist revolution and a overthrow of the general university system. the dean, proffessor and the students in the class call for reform from inside the system. and there goes on a debate between change within the system vs. overthrowing the system. this discussion actually captivated me, despite the fact that this is pretty dated politics. this film being released in 1969, this is obviously a depiction of the kinds of political debates between students and institutions around 1968. where university students basically rioted and demostrated for a fairer university system and rejected old institutions while embracing marxism. for those who have an interest in the political demostrations of 1968 in europe, this film documents this point in time pretty well. it's clear that the film maker is on the side of the marxist students with the final shot of the film.

so what can you say over all about this collection of short films? overall, it's mostly a political film, especially with the last three stories and the credits rolling with the sound of dull thuds of foam bats beating people symbolizing police brutality. i think this film has a very specific film audience...either young students in the late 1960s (this audience obviously no longer exists), people who have an interest in any of the directors here or people who are interested in the history of 1968 and want to see an artistic representation of it. to everyone else, you've been warned. it's a collection of artsy political films you'd probably wouldn't want to watch. (User Reviews in IMDB)

The film is composed of episodes that deal with some of the themes present in Jesus' parables and anecdotes of the canonical gospels. These issues, however, are reproduced in the present from their directors.

Segments

A man is suffering from road, badly injured. Passers do not deign to look at him, and continue walking on their way. The episode is taken from Jesus' parable of the Good Samaritan.
Agony

A bishop is ill and about to die. Before he dies, the man has a vision of God, who tells him that his life has been misspent. The bishop realizes that he spent his life not properly respecting the gospel, but now it is too late.
The sequence of the paper flower

A beautiful smiling guy's walking on the streets of a city, bringing with him a large poppy paper. The boy is the goodness and innocence of youth, which is soon cut short by human wickedness. Indeed, while the merry boy is walking, the episode shows the evil done by man during the Second World War. At the end of the story, the boy is struck by lightning from the sky and dies, guilty of having been in his life a happy person and a good neighbor.
Love

A woman and a man're arguing with each other. They represent democracy and the people's revolution that can not get along, although their ideas are similar.
We tell, tell

A group of young guys occupies a university. Young people are fighters student revolution of the Sixties, and now that they have in hand the building, the guys begin to argue among themselves, bringing new ideas and changes. However, they do nothing but talk nonsense, not changing anything in society. (WIKI)

福音书剧情介绍:
◎ 简  介:
  看点: 拍摄于越战期间,通过5段不同的故事表达出五位导演对当时政局的看法
  第一部分的主题是冷漠,楼下一桩抢劫杀人的案正在进行,楼上所有人都熟视无睹。街边发生一起交通事故,没有任何车停下来救人。直到在警察的帮助下一位司机出现,他理所当然地拒绝,但是迫于无奈只好就范,却于中途逃走,故事原来是这样的。
  第二部分是一段行为艺术表演。临死的人进行死前最后的忏悔,很有意思,比现在的好多所谓行为艺术好看多了。
  第三部分是帕索里尼的贡献:他的最爱演员Ninetto Davoli漫步在大街上,手握着一大扎纸花去见情人。一路走来充满阳光,这个世界的另一些地方却是另一中摸样。
  第四部分是戈达尔的“爱”。有两种含义:政治层面的故事聚焦在古巴,有点自我批评的感觉。
  第五部分,大学教室里正在上课,一群自称学生会的人闯了进来,声称要改革对文化的压迫,于是辩论展开。
◎ 关于影片:
  意大利/法国1969年五位大师(贝尔托鲁奇、帕索里尼、戈达尔、贝洛奇奥、卡罗里扎尼)联手合导的经典名作,荣获1969年柏林影展提名金熊奖。
  导演们的信条,拒绝把电影当作是故事;至少在此说:并不是因为你看多了电影就懂得了“电影”;第七艺术就好比在欧几里德之前的数学;而且导演并没有表示说“新浪潮”就是欧几里德。(影视资料库-中文IMDB)
 
About Music
Giovanni Fusco (Italy 1906-1968)
乔万尼 弗斯科
Ennio Morricone
Ennio Morricone (Italy)
埃尼奥 莫里康内
Giovanni FuscoGiovanni Fusco was born on October 10, 1906 in Sant'Agata de' Goti, Campania, Italy. He was a composer, known for L'Avventura (1960), Hiroshima mon amour (1959) and L'eclisse (1962). He died on May 31, 1968 in Rome, Lazio, Italy. (Here a and here)(中文介绍 见这里这里
Ennio Morricone: was born 10 November 1928) is an Italian composer, orchestrator, conductor, and former trumpet player. A classmate of director Sergio Leone with whom he would form one of the great director/composer partnerships (right up there with Eisenstein & Prokofiev, Hitchcock & Herrmann, Fellini & Rota), Ennio Morricone studied at Rome's Santa Cecilia Conservatory, where he specialized in trumpet. His first film scores were relatively undistinguished, but he was hired by Leone for Per un pugno di dollari (1964) on the strength of some of his song arrangements. His score for that film, with its sparse arrangements, unorthodox instrumentation (bells, electric guitars, harmonicas, the distinctive twang of the jew's harp) and memorable tunes, revolutionized the way music would be used in Westerns, and it is hard to think of a post-Morricone Western score that doesn't in some way reflect his influence. Although his name will always be synonymous with the spaghetti Western, Morricone has also contributed to a huge range of other film genres: comedies, dramas, thrillers, horror films, romances, art movies, exploitation movies - making him one of the film world's most versatile artists. He has written nearly 400 film scores, so a brief summary is impossible, but his most memorable work includes the Leone films, Gillo Pontecorvo's La battaglia di Algeri (1966) , Roland Joffé's The Mission (1986), Brian De Palma's The Untouchables (1987) and Giuseppe Tornatore's Nuovo Cinema Paradiso (1988), plus a rare example of sung opening credits for Pier Paolo Pasolini's Uccellacci e uccellini (1966)......(IMDB, WIKI) (中文介绍见 01, 02, 03, 04, 05, 06, 07, 08)
Composer: Giovanni Fusco, Ennio Morricone (segment 'La sequenza del fiore di carta' ) (ChiMai) (CHIMAI); Music by Giovanni Fusco (IMDB)
音乐概要: 此片由五个短片组成。其中4个短片由乔万尼 弗斯科谱曲,1个短片“纸花 / La sequenza del fiore di carta"由莫里康内谱曲, CHIMAI显示该短片中共有2首乐曲: 1首是Fruscio di foglie verdi/绿色的树叶, 这首歌改编自电影“定理”(TA6822)的一个插曲;另一首标题是“Matthaus-Passion/马太受难曲", 这是由巴赫在1729年谱写的一组乐曲,原曲共有72个分曲(见百度资料),该片仅引用其中很少一部分。遗憾的是,此电影至今没有发布过原声音乐专辑,我们只能在电影中找到它们的足迹(见下面5-3视频的 04:58-05:35 和 06:49-09:52)。
 
Above: Related info in CHIMAI 01, 02, 03
Related Albums (Part)
遗憾的是,此电影至今没有发布过原声音乐专辑,我们只能在电影中找到它们的足迹(见下面5-3视频的 04:58-05:35 和 06:49-09:52)
OST of Amore e rabbia (Only for Ennio Morricone)
No.
Name (Length)
Chinese Name
Audition
Note
001
Fruscio di foglie verdi
绿色的树叶
----
Composer: Ennio Morricone; Arranger: Ennio Morricone (CHIMAI)
From Teorema (1968)-Fruscio di foglie verdi Vocals: Trio Junior (CHIMAI)
002
Matthaus-Passion
马太受难曲
----
Composer: J.S. Bach (1729)(CHIMAI)
马太受难曲 (全组78曲)
01, 02, 03
福音书 / 爱与怒 5-3 “纸花”帕索里尼导演 (本站上传56网 10'16")
 
TB6904R La Femme écarlate / The Scarlet Lady ( Jean Valère) / 无名女郎
Stars Monica Vitti
Maurice Ronet
Robert Hossein
Country France | Italy
Runtime 90 min
Date 14 May 1969 (France)
Also Known As:
Argentina La dama escarlata
Brazil A Dama Escarlate
Spain La mujer escarlata
Finland Viimeiset viettelykset
Greece (transliterated ISO-LATIN-1 title) I gynaika me tous 5 erastas
Hungary A skarlátruhás n?
Italy La donna scarlatta
Portugal Dilema de uma mulher
Turkey (Turkish title) Kadin ve gurur - Sevgilimi ?ldürmeliyim
USA The Bitch Wants Blood
Europe (English title) (dubbed version) The Scarlet Lady
West Germany Kalte Augen
01, 02, 03, 04 中文 01, 02
Comedy about self-made woman (Vitti) in Paris contemplating the idea of suicide at first, then murder. (IMDB)
Lucie (Monica Vitti) has a plan: First she will kill her lover (Maurice Ronet), and then herself. Everything suddenly changes, however, when she makes her intentions known to a mysterious man (Robert Hossein). (Here)
Lightweight but colorful fluff about an attractive Italian young woman (Monica Vitti) who is jilted by her French lover/business partner (Robert Hossein) and goes away to Paris with the intention of committing suicide but then thinks better of it and decides to bump the latter off instead. In the meantime, to curb her boredom, she picks up a marine salvage expert (Maurice Ronet) but immediately dumps him after divulging all her plans to him during a romantic dinner atop the Eiffel Tower. Somehow, while posing as a Swiss journalist, she gets entangled with a New York correspondent (a woefully wasted Claudio Brook), a shady Spaniard and the dope-addled manager of a French beat group; the latter perform a couple of awfully dated pop tunes and Brook's presence in a nightclub immediately brought to mind the similar but infinitely more wicked sequence which brilliantly concludes Luis Bunuel's SIMON OF THE DESERT (1965) in which Brook had the title role ...(User Reviews in IMDB)
....the film is about a beautiful Italian businesswoman who, after being swindled out of her fortune by her boyfriend, travels to Paris to kill him before killing herself.(WIKI)
A beautiful Italian businesswoman, Lucille Lombardi (Monica Vitti), discovers that her boyfriend and marketing director, Julien Auchard (Robert Hossein), has bankrupted her family business, cheated her out of her wealth, and left her penniless. Shocked by the betrayal, the loss of her villa in Nice, and feeling that all is lost, Lucille decides to sell her jewelry and binge on champagne and caviar before committing suicide. Her binge renders her intoxicated and leaves her daydreaming about revenge. At first she plans to leave Francois a note blaming him for her death, but realizing it would have little affect on him, she decides that revenge is the only course—that she must kill Julien before ending her own life. Knowing that Julien travels to Paris every Friday, Lucille decides to hold off on suicide for one week until she has a chance to kill the man who ruined her life.

After arriving in Paris, Lucille buys an Austin Princess luxury car and sets about planning her revenge while continuing her lavish spending on designer clothing and food. Uncomfortable being alone, she invites a stranger named Francois (Maurice Ronet), a marine salvage expert, to have a romantic lunch with her at the Eiffel Tower. When Lucille reveals her intentions to end her life later that week, Francois shows genuine concern for her and states that he will not allow it—that he'll not leave her side. Lucille manages to elude him after lunch and he is unable to follow. In the coming days, Fran?ois desperately tries to locate her as she continues her spending spree on fine clothes and expensive food and champagne while waiting for her ex-boyfriend to arrive in Paris.

While posing as a Swiss journalist, Lucille becomes entangled with a New York News correspondent named John Bert (Claudio Brook), a shady Spaniard named Alberto de Villalonga (Albert Simono), and the drug-addled manager, Tom Sturges (Gérard Lartigau), of an English rock group named The Timothys who just appeared at London's Royal Albert Hall. She goes on a series of dates, continuing her extravagant spending during her final days. Meanwhile, Fran?ois continues his desperate search for the woman he believes will kill herself on Friday. After receiving no help from the police, he tracks down all the Austin Princess owners in Paris, thinking it will lead him to Lucille. Despairing on not finding her, he resigns himself to his work, which involves a lucrative new salvage operation in Venezuela that will make him wealthy (from the shady Spaniard Alberto as it turns out).

On Thursday night, Lucille wanders the streets of Paris alone. A man approaches her, mistaking her for a prostitute, and she goes back to his place to have sex, later giving away the 300 francs she was paid. On Friday, Lucille meets Julien at the Paris-Orly Airport pretending she has a wealthy investor who can buy back the company that Julien now owns. Interested in the deal, Julien accompanies her to her hotel room where she pulls her gun, demanding that she accompany him to his appointment in Chantilly. Intending to kill them both in an auto accident, Lucille has second thoughts just as they are about to crash into an electrical pole. "You disgust me so much that it will save your life," she tells him, as she leaves at the roadside and drives away.

Back in Paris, Fran?ois spots Lucille's Austin Princess by chance and follows her to the Eiffel Tower, where she intends to end her life. At the top, Lucille considers jumping, but something prevents her. When Francois arrives at the top, he finds her eating dessert in the restaurant where they enjoyed their romantic lunch, and they smile at each other.(WIKI)

综合简译: 一个美丽的意大利女商人露茜 (Monica Vitti ), 发现她的男朋友和营销总监朱利安 奥查德(Robert Hossein 饰)骗取了她的财富,使她的家族企业破产,然后无耻的离开了她。这样的背叛使她震惊,她感到自己失去了一切。露茜最终决定报复是唯一的选择, 她必须杀死朱利安然后再结束自己的生命。她知道朱利安每个星期五去巴黎,她要去那里直到她有机会先杀死那个毁了她生活的男人......
 
About Music
Michel Colombier (France 1939-2004)
米歇尔 科仑比尔
Michel Colombier was born on May 23, 1939 in Lyon, France. He is known for his work on The Golden Child (1986), Man on Fire (2004) and The Money Pit (1986). He was married to Dana Colombier. He died on November 14, 2004 in Santa Monica, California, USA.
Music by Michel Colombier (IMDB)
Composer: Michel Colombier; Ennio Morricone (apparently rejected) (ChiMai) (CHIMAI);
音乐概要: 此片由米歇尔 科仑比尔谱曲。根据CHIMAI的资料,此片原为莫里康内谱曲,但后来被放弃 (apparently rejected ), 不过CHIMAI 没有更多的说明。至于莫里康内是否已为此片谱曲,或是虽受聘但还没动手?目前尚不得而知。我们现有的此片专辑资料均显示其为米歇尔 科仑比尔的作品。
Above: Related info in CHIMAI 01, 02, 03
La Femme écarlate Albums (Soundtrack)
无名女郎 预告片 (本站上传56网 03'43")
 
 
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